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Rolland delivers retro-futuristic couture

July 07, 2009, 04:12 AM Post Comments
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Rolland delivers retro-futuristic couture

Not every designer can draw inspiration for a lush haute couture collection from wallpaper, but that's just where Stephane Rolland looked for his winter 2010 display on Monday.

"There was this amazing wall-covering at this apartment in New York, really elaborate and full of tubing," said the French designer in a pre-show interview with The Associated Press. "I wanted to recreate those walls."

Upon that unusual foundation, Rolland built a graphic, geometric collection that evoked Austrian artist Friedensreich Hundertwasser, drained of his signature bright primary colors.

Elaborate mosaics made of fabric-wrapped plastic tubes, like bits of a plastic straws, hung from the hems of abbreviated cocktail dresses in gray and camel cashmere. Gowns of sheer silk were covered in leather lozenge-shaped appliques, like the scales of a giant lizard.

The dresses, with their powerful shoulders, dipping backs and irregular, rounded cutouts, had a retro-futuristic feel about them - as if Rolland was channeling the Space Age as imagined in 1973.

"There's something architectural, something sculptural, something geometric and beautiful" about the collection, said French actress Emmanuelle Beart, from her front-row perch. "(He) is someone who's got a real vision, something that's unique and out-of-the-ordinary."

Rolland, a favorite of Middle Eastern royals, banked on the presence of some of his ultra-weathy couture clients to launch a wildly expensive line of custom handbags with 22-karat gold metalwork and diamond-encrusted closures.

The bags, a day purse and an evening clutch made by an exclusive French leatherwear atelier, start at euro10,000 ($14,000) and go way up from there, depending on the client's specifications.

When asked how much a clutch that scintillated with 2,500 diamonds would fetch, Rolland stayed mum, raising his eyebrows enigmatically.

Copyright 2009 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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