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Oscar Snubs? Extortion Plot? Do Tell!

Fri, 20 Nov 2009 12:02:00 EST

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Are members from the documentary branch of the Academy of Motion Picture Arts and Sciences being paid to short list some films over others? That's what it sounds like director James Toback was alluding to when he spoke to the New York Times recently about how his buzzed-about documentary, Tyson, was left off the Academy's short list along with several other notable documentaries from the past year. Toback told the Times that at some point during the selection process he experienced something he puts "fully in the category of extortion", adding that he did not go along with it.

Speaking on behalf of the documentary branch -- which Toback refers to as "some tiny, dirty covert weirdly protective group" -- chairman (and filmmaker) Rob Epstein said, "I have no idea. It certainly hasn't come before me." Among some of the critically acclaimed docs snubbed this year are Michael Moore's Capitalism: A Love Story, the awesome Anvil! The Story of Anvil, and The September Issue. This year's documentary short list was narrowed down to 15 finalists from 89 possible contenders. So, yeah, obviously you're going to see some fantastic films miss the cut, and, subsequently, some pissed off filmmakers, but it's a pretty bold move for Toback to go and claim extortion, don't you think?

Continue reading Oscar Snubs? Extortion Plot? Do Tell!

Oscar's Documentary Shortlist: No 'Anvil,' No 'Capitalism'

Wed, 18 Nov 2009 21:25:00 EST

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The Academy of Motion Picture Arts and Sciences documentary committee has watched the 89 eligible docs that were submitted and whittled the field down to 15 finalists, from which the five Oscar nominees will be chosen. But before we even get there we gotta talk about the snubs.

Notably absent from the shortlist are Michael Moore's Capitalism: A Love Story and the highly praised Anvil! The Story of Anvil, which last month earned the distinction of being the first "for your consideration" screener sent to Academy members this year. Last year's best-reviewed documentary, Man on Wire, went on to win the Oscar; Anvil! holds that title this year (98% at Rotten Tomatoes), but it's not even going to be nominated.

Other noteworthy titles not among the top 15: Tyson (about the boxer, not the chicken company) and The September Issue (about Anna Wintour and Vogue magazine). Michael Jackson's This Is It and Chris Rock's Good Hair didn't hit theaters until October, qualifying them for next year's documentary category -- for docs, the eligibility period is September-August, not January-December. (This Is It might not be eligible anyway, since Academy rules forbid films that are "essentially unfiltered records of performances," which could apply here.) The highest-grossing documentary of the year, Earth, isn't eligible because it was mostly repackaged material that had already aired on TV.

The complete shortlist is after the jump.

Continue reading Oscar's Documentary Shortlist: No 'Anvil,' No 'Capitalism'

Why Roger Corman Doesn't Deserve an Oscar

Wed, 18 Nov 2009 09:02:00 EST

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[Note: Scott Weinberg has the pro side of this argument -- why Roger Corman does deserve an Oscar -- in an article that will run later today.]


In a post yesterday about the honorary Academy Awards given out over the weekend, I said this about one of the recipients, Roger Corman: "Corman, who has directed more than 50 films and produced nearly 400 (!), has never been nominated for an Oscar, probably because all of his movies are terrible. But apparently the Academy is rewarding quantity now, too. So don't give up, Uwe Boll! Just make another 300 movies!" These remarks were met with much disapproval by many readers, and so I would like to elaborate -- assuming any of the people who swore they'd never read Cinematical again are in fact still reading Cinematical (which they are).

First, a correction. I shouldn't have said "all of his movies are terrible." I should have said something like "his movies are generally terrible." "All" suggests that I've seen all 400 of them, which of course I haven't. I ought to have used more general language. That was my bad, as the kids say.

I stand by the point I was making, though. If the Academy is giving out Oscars based on the production of quality work -- which, last time I checked, was the basic idea behind the Oscars -- then Roger Corman does not qualify. The vast majority of his output is mediocre at best. Some of it is downright awful. A few films are good enough on their own, but not to where any of them would deserve Oscars individually. Even as a body, those moderately good Corman movies don't outweigh the dozens -- literally dozens and DOZENS -- of cheap, forgettable clunkers.

Producing a huge quantity of work whose overall entertainment or artistic value averages out to be somewhere between "mediocre" and "mediocre-plus" isn't worthy of Academy Award consideration. That's neat and everything, producing 400 movies over the course of 50 years. Very ambitious of you! But the Academy should be rewarding quality, not quantity.

Continue reading Why Roger Corman Doesn't Deserve an Oscar

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